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      <image:title>Mistress - Mistress</image:title>
      <image:caption>2020 NAACP Image Award Nominee 2018 New Issues Poetry Prize “From the first poem in Mistress, Chet’la Sebree’s voice gripped me and held on. Sebree’s vision of the persona poem is startling: the narrator is both Sally Hemings and a woman in the present merged to a consciousness un-nesting the ‘holler hidden in her.’ Like Kara Walker’s murals, Sebree runs from—and faces—the dark looming historical forces of miscegenation, enslavement, and the abjection of the black female body. The ghost of Sally Hemings as aberration, as mistress, determines the speaker’s id; tugs at her solitary fantasies; a violent erotic invasion that she inverts and turns on its head with lines etched in rage. Sebree’s language is a scythe that glints wildly. Mistress is truly an astonishing, unforgettable debut.” —Cathy Park Hong, New Issues Poetry Prize Judge</image:caption>
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      <image:caption>Winner, 2020 James Laughlin Award “The flawed and ordinary self refracted through the complex prisms of race, gender, and culture—Chet’la Sebree’s Field Study is a lyric reckoning of extraordinary candor. Often startlingly intimate, Field Study discloses and calls out, laughs and glares, and inhabits urbane knowing and tender uncertainty by turns. In tandem with its thematic breadth, the book’s formal amplitude encompasses an exuberant intersectionality of genres—the epistolary mode, the lyric essay, the commonplace book, the confession, the literary collage, the tweet-like salvo. The result is a book-long poem that wholly invigorates poetry as a category. Field Study is unlike anything its readers will have encountered before—a work of fierce intensity and engulfment.” —Rick Barot, Award Judge</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>2020 NAACP Image Award Nominee 2018 New Issues Poetry Prize “From the first poem in Mistress, Chet’la Sebree’s voice gripped me and held on. Sebree’s vision of the persona poem is startling: the narrator is both Sally Hemings and a woman in the present merged to a consciousness un-nesting the ‘holler hidden in her.’ Like Kara Walker’s murals, Sebree runs from—and faces—the dark looming historical forces of miscegenation, enslavement, and the abjection of the black female body. The ghost of Sally Hemings as aberration, as mistress, determines the speaker’s id; tugs at her solitary fantasies; a violent erotic invasion that she inverts and turns on its head with lines etched in rage. Sebree’s language is a scythe that glints wildly. Mistress is truly an astonishing, unforgettable debut.” —Cathy Park Hong, New Issues Poetry Prize Judge</image:caption>
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      <image:caption>2020 NAACP Image Award Nominee 2018 New Issues Poetry Prize “From the first poem in Mistress, Chet’la Sebree’s voice gripped me and held on. Sebree’s vision of the persona poem is startling: the narrator is both Sally Hemings and a woman in the present merged to a consciousness un-nesting the ‘holler hidden in her.’ Like Kara Walker’s murals, Sebree runs from—and faces—the dark looming historical forces of miscegenation, enslavement, and the abjection of the black female body. The ghost of Sally Hemings as aberration, as mistress, determines the speaker’s id; tugs at her solitary fantasies; a violent erotic invasion that she inverts and turns on its head with lines etched in rage. Sebree’s language is a scythe that glints wildly. Mistress is truly an astonishing, unforgettable debut.” —Cathy Park Hong, New Issues Poetry Prize Judge</image:caption>
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